The rich also cry

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It would appear that Oscar Wilde also advised humanity to be mindful using their desires - otherwise they will suddenly come true. The fashionable modern philosopher Slavoj ižek told about the same by the example of the very picture. Yes, nothing is new underneath the moon and precisely what modern sages say has been said a long time ago and better.

The hero of the “Second”, as usual, did not heed the advice and which means picture turned out to be extremely sad. The expression on the face area of a tired elderly man who has decided to undergo surgery is simply depressing: this is an expression of mortal melancholy and complete resignation to fate. Given he is really a successful banker and a "happy" family man. What else does a person need? It's just that personality change services are extremely expensive, so only very wealthy people can afford them. So the entire middle class was left entirely behind, and the writers fell into their own trap. It would appear that I really want to empathize with the type, but it's not entirely clear - to empathize using what exactly.

The grape orgy of "reborn" characters in the middle of the film is much like a hippie party. That will be not surprising, because "The Second" was filmed in the sixties. Wikipedia says that the start of the hippie movement is recognized as 1965, but the initial swallows, obviously, flew across America before, therefore the "Second" just experienced the stream. True, this did not help the film and at once not many people appreciated it. But then, over time, the picture gave rise to this kind of small cult. Formally, it is very interesting and even experimental in places, especially in the very first half, but it does not represent an impeccably integral work, breaking up into several parts, which differ markedly in stylistic and mood. Dialogues tend to be rather unassuming and dramatic collisions are simplified to please saifay, which doesn't require Dostoyev's nuances and Tolstoy's depths. The brand new life of the protagonist is shown in just a couple of scenes. But “The Second” is still worth taking a look at as a silly cinephilic experiment with form and as a painting with a large, though not fully realized, plot potential. The film echoes such works as Shock Corridor by Samuel Fuller, Coma by Michael Crichton, Steppenwolf by Hesse (and, to a lesser extent, his strange film adaptation) and even Thirteen by Gela Babluani. Someone has noticed the influence of the painting on David Lynch. If the above mentioned works and personalities are of interest for you, then "The Second" is unquestionably worth watching.

Within our paranoid time, this unusual film, like its hero, also deserves an additional life. I have without doubt at all that eventually a remake awaits us, which, I am hoping, won't vulgarize the first, very humanistic and quite touching idea.

However the fatal impossibility to change life without changing anything essentially is, so to speak, the philosophical side of the matter. There's almost no time for philosophical maxims in the work of the anonymous office, which turns over big money. Therefore, there is a specific fraud mechanism in the technology of selling an alternate dream. Giving the client a selection: to become, as an example, a golf player or an artist, Arthur is presented with evidence from the realm of the unconscious. Allegedly, being in a situation of hypnosis, he let slip his intention to become an artist. At once, much earlier, on the first stop by at any office, Arthur was asked to identify himself as Wilson. There is without doubt that the artist Wilson is a vacancy that the client receives without any alternative. Thus, replacing the scenery or even your body is a diversion from the key swindle: selling someone else's dream. movies reviews As Deleuze says, if you learn yourself in the dream of another, then you got fucked.

It is with this vparivanie customers other people's desires (usually belonging to advertisers, ideologists, "opinion leaders", etc.) built the functioning of the buyer society, and as its metaphors - the Kafkaesque office selling used bodies. The obverse and reverse of a falsified choice (banker / artist) are equally hopeless attempts to escape from the inescapable frustration or depression of the main topic of the consumer society. Meanwhile, depression, which young people also suffer massively, is really a real disease of our century, the result of a systemic failure of value coordinates. When what you have always strived for (career, wealth, an incredible number of "likes", etc.) turns out to become a dummy, you're overtaken by the ninth wave of neuroses and frustrations. When, in the typical race for success, at the very first stages of "step-by-step self-realization" there's no time for reflection, the situation is tolerable. But for Arthur from The Secondaries, emphasizing his thoughts and feelings is disastrous, because he perfectly understands that he is living someone else's life. The Dow Jones index may rise or fall, quarterly indicators may be ahead or lagged behind the planned ones, but being in the role of 1 and a zero, as a “man-hour” or “individual” is without a doubt humiliating.